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"Livery Stable Blues" is a jazz composition copyrighted by Ray Lopez ''(né'' Raymond Edward Lopez; 1889–1979) and Alcide Nunez in 1917. It was recorded by the Original Dixieland Jass Band on February 26, 1917 and, with the A side "Dixieland Jass Band One-Step" or "Dixie Jass Band One-Step" (a tune later better known as "Original Dixieland One-Step"), became widely acknowledged as the first jazz recording commercially released.〔 It was recorded by the Victor Talking Machine Company in New York City at its studio at 46 West 38th Street on the 12th floor – the top floor.〔〔〔〔 ==History== The Original Dixieland Jazz Band was a group of white musicians from New Orleans. They had gained popularity playing at Schiller's Cafe in Chicago and Reisenweber's Restaurant in New York City, and became largely responsible for making the New Orleans style popular on a national level.〔 The ODJB made test recordings for Columbia on January 30, 1917, but no usable recordings resulted. On February 26 the ODJB recorded "Livery Stable Blues" for the Victor label. "Dixie Jazz Band One-Step" was recorded in the same session.〔 Victor executives quickly released the record, which became an instant hit. The record was a big hit, and was possibly the first popular music recording to sell a million copies.〔〔 It established jazz as popular music and spawned demand for small jazz bands in New York and Chicago, at a time when it was getting harder and harder for musicians to find employment in New Orleans.〔 Both sides of the record were originally labeled as compositions by members of the band. However two other New Orleans musicians, Nunez and Lopez, beat the ODJB in registering a copyright on the tune. Alcide Nunez had been clarinetist with the ODJB until a few months earlier. Trumpeter Ray Lopez had worked with most of the ODJB musicians in New Orleans, especially in the bands of Papa Jack Laine. The members of the ODJB published the piece copyrighted as their own composition under the alternative title "Barnyard Blues".〔 The two parties and their respective publishers sued each other. The case resulted in the judge declaring neither party had copyright over the work, that it was based on a pre-existing melody, and declared it to be in the "public domain". The judge also expressed doubt that musicians unable to read or write music could be said to have "composed" anything.〔 Meanwhile, a second lawsuit arose from one of the strains of "Dixie Jass Band One-Step" being almost identical to the 1909 Joe Jordan number "That Teasin' Rag". Later pressings of the record added Jordan as co-composer and he was awarded a share of the royalties. Later pressings of "Livery Stable Blues" omitted the phrase "Composed and played by" from the original pressings. After Victor's release became a hit, Columbia had the group back to record again, and released their recording of "Home Again in Indiana" backed by "At the Darktown Strutters Ball".〔 Columbia selected two Tin Pan Alley tunes of the day for the band to record, probably to avoid the copyright problems which surfaced over both sides of the band's supposed original compositions for Victor. The Original Dixieland Jazz Band published the sheet music for the composition under the alternate title of "Barnyard Blues" with Leo Feist in New York listing Nick LaRocca as the composer. The sheet music cover contained a reference to the Victor release of "Livery Stable Blues", 18255: "As recorded on Victor Record No. 18255 under the title of 'Livery Stable Blues'. Jazz Fox Trot by D.J. LaRocca."〔(Barnyard Blues. Howard-Tilton Memorial Library, Tulane University. )〕 Alcide Nunez and Ray Lopez published sheet music with Roger A. Graham (1885–1938) in Chicago listing themselves as the composers. On their rival sheet music cover they refer to the same Victor release, Victor Record No. 18255. In a second issue of the sheet music, Marvin Lee added lyrics to the Nunez and Lopez version. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Livery Stable Blues」の詳細全文を読む スポンサード リンク
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